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This is a beautiful well acted, poignant and powerful drama that touches you on many levels. It stars the superb Chazz Palminteri (The Usual suspects) as Yonkers Joe who regarding his gambling pals and girlfriend Janice played by the warm and lovely ---tine Lahti (Chicago Hope) regularly swindles others and establishments on cards or another casino based games. We meet Joe early on as they is told his disabled son Joe junior played superbly and convincingly by Tom Guiry (The Black Donnellys) (he reminds me a bit of Sean Penn in features and manner especially in I am Sam) is about to turn 21, as well as the current establishment cannot hold him any more, since he could be getting too violent and abusive to staff. When reading film reviews, there aren’t many things to look for. First, what makes the reviewer describe the plot? Is the entire review revolving around the plot? Are there specific scenes described into everything? Amateur reviewers have difficulty distinguishing a film review from plot summary. If the plot is discussed longer than one paragraph, then this review is of substandard quality. Many bloggers may have little discerning of what is a spoiler and what is not. A good critic will report the things they see and actively try and know very well what is happening or try and interpret the film. This goes for popular fare or art films.

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Although it’s primarily a comedy, The Dilemma delves to the dark infidelities of faulty relationships, which uncovers some serious predicaments. The cheeriest of comic relief interludes can’t overcome the solemnity of disloyalty and its destructive nature. But comedians Kevin James and Vince Vaughn certainly try, bringing their trademark playful, flirtatious, speedy, back-and-forth dialogue for the table. Allan Loeb writes the film, but with Vaughn producing, it’s likely the scripting was heavily influenced. The sickly-sweet «getting to know the characters» intro will be the only segment which doesn’t scream of Vaughn’s verbal work, while using moral impasse and its resolution coming across director Ron Howard’s material. It’s a return to comedy after having a decade of dramatic projects for the filmmaker, however, not without tragicomic substance.

Colin Firth playing Bertie/George VI is achingly genuine, even as we constantly see him full of frustration because of his verbal shackles. Despite his harrowing speech impediment, his warm-heart beams, specially when he interacts with Lionel Logue, played amazingly by Geoffrey Rush. We feel for Bertie, while he is trapped by his lack of voice and we feel his determination because he is climbing out of a dark hole. We even understand the envy in his eyes when he watches footage of Hitler rousing up a large group through his oratory talent. Firth provides a thoroughly magnificent performance, and it’s really equally matched by Rush’s performance as Lionel Logue. Logue is surely an eccentric, brash and rather clever speech therapist. He gets a trigger for Bertie’s confidence, and guides him like a friend and a teacher. The chemistry of both will be the heart from the film. Helena Bonham Carter also offers a touching performance as Queen Elizabeth, feeling Bertie’s pain and standing by him to find out thing through it.

It turns out apart from his injuries Will had another heavy issue on his heart, that relating to his girlfriend Kelly played with the lovely Lena Malone (Donnie Darko), who he release, which is potential married to another person, but they will have some kind of a strange relationship, it happens as Will puts it he permit her to go so she wouldn’t get any visits from your likes of Tony.

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